(2018)考研英语(二)阅读理解PART B考点精练
上QQ阅读APP看本书,新人免费读10天
设备和账号都新为新人

2014年新题型真题

Directions: Read the following text and match each of the numbered items in the left column to its corresponding information in the right column.There are two extra choices in the right column.Mark your answers on the ANSWER SHEET.(10 points)

Emerging in the late Sixties and reaching a peak in the Seventies,Land Art was one of a range of new forms,including Body Art,Performance Art,Action Art and Installation Art,which pushed art beyond the traditional confines of the studio and gallery.Rather than portraying landscape,land artists used the physical substance of the land itself as their medium.

The British land art,typified by Richard Long's piece,was not only more domestically scaled,but a lot quirkier than its American counterpart.Indeed,while you might assume that an exhibition of Land Art would consist only of records of works rather than the works themselves,Long's photograph of his work is the work.Since his “action”is in the past,the photograph is its sole embodiment.

That might seem rather an obscure point,but it sets the tone for an exhibition that contains a lot of black-and-white photographs and relatively few natural objects.

Long is Britain's best-known Land Artist and his Stone Circle,a perfect ring of purplish rocks from Portishead beach laid out on the gallery floor,represents the elegant,rarefied side of the form.The Boyle Family,on the other hand,stands for its dirty,urban aspect.Comprising artists Mark Boyle and Joan Hills and their children,they recreated random sections of the British landscape on gallery walls.Their Olaf Street Study,a square of brick-strewn waste ground,is one of the few works here to embrace the commonplaceness that characterises most of our experience of the landscape most of the time.

Parks feature,particularly in the earlier works,such as John Hilliard's very funny Across the Park,in which a long-haired stroller is variously smiled at by a pretty girl and unwittingly assaulted in a sequence of images that turn out to be different parts of the same photograph.

Generally however British land artists preferred to get away from towns,gravitating towards landscapes that are traditionally considered beautiful such as the Lake District or the Wiltshire Downs.While it probably wasn't apparent at the time,much of this work is permeated by a spirit of romantic escapism that the likes of Wordsworth would have readily understood.Derek Jarman's yellow-tinted film Towards Avebury,a collection of long,mostly still shots of the Wiltshire landscape,evokes a tradition of English landscape painting stretching from Samuel Palmer to Paul Nash.

In the case of Hamish Fulton,you can't help feeling that the Scottish artist has simply found a way of making his love of walking pay.A typical work,such as Seven Days,consists of a single beautiful black-and-white photograph taken on an epic walk,with the mileage and number of days taken listed beneath.British Land Art as shown in this well selected,but relatively modestly scaled exhibition wasn't about imposing on the landscape,more a kind of landscape-orientated light conceptual art created passing through.It had its origins in the great outdoors,but the results were as gallery-bound as the paintings of Turner and Constable.

41.Stone Circle

42.Olaf Street Study

43.Across the Park

44.Towards Avebury

45.Seven Days

[A] originates from a long walk that the artist took.

[B] illustrates a kind of landscape-orientated light conceptual art.

[C] reminds people of the English landscape painting tradition.

[D] represents the elegance of the British land art.

[E] depicts the ordinary side of the British land art.

[F] embodies a romantic escape into the Scottish outdoors.

[G] contains images from different parts of the same photograph.

答案解析

[A]起源于这个艺术家的漫长的步行

[B]阐明了一种地景光线概念艺术

[C]使人们想起英国地景绘画的传统

[D]代表了英国地景艺术的优雅

[E]描绘了英国地景艺术的平常面

[F]体现了一次向苏格兰户外的浪漫逃离

[G]包含同一张照片不同部分的图像

41.D【解题思路】根据题干专有名词将答案定位至原文第四段:Long is Britain's best-known Land Artist and his Stone Circle,a perfect ring of purplish rocks from Portishead beach laid out on the gallery floor,represents the elegant,rarefied side of the form.D选项represents the elegance of the British land art 出现词汇复现信息,即represents和elegant(elegance同根词),故D为答案。

42.E【解题思路】根据题干专有名词将答案定位至原文第四段:Their Olaf Street Study,a square of brick-strewn waste ground,is one of the few works here to embrace the commonplaceness that characterises most of our experience of the landscape most of the time.各选项中除了landscape多次出现,没有出现其他直接复现信息,因此考生需要重点理解commonplaceness这个单词的意思,common-placeness意为“平凡,寻常,世俗”。浏览各个选项,E选项中的ordinary和其为同义替换。故正确答案为E。

43.G【解题思路】根据题干专有名词将答案定位至原文第五段:Parks feature,particularly in the earlier works,such as John Hilliard's very funny Across the Park,in which a long-haired stroller is variously smiled at by a pretty girl and unwittingly assaulted in a sequence of images that turn out to be different parts of the same photograph.G选项中的images和different parts of the same photograph属于原文信息词复现,显然正确答案为G。

44.C【解题思路】根据题干专有名词将答案定位至原文第六段:Derek Jarman's yellow-tinted film Towards Avebury,a collection of long,mostly still shots of the Wiltshire landscape,evokes a tradition of English landscape painting stretching from Samuel Palmer to Paul Nash.C选项中的English landscape painting tradition对应原文中的tradition of English landscape,故正确答案为C。

45.A【解题思路】根据题干专有名词将答案定位至原文第七段:A typical work,such as Seven Days,consists of a single beautiful black-and-white photograph taken on an epic walk,with the mileage and number of days taken listed beneath.A选项中的originates from 对应原文中的taken on,a long walk对应原文中的an epic walk,故正确答案为A。

参考译文

地景艺术在60年代末兴起,70年代达到顶峰。它是新兴的艺术形式中的一种,其他还包括人体艺术、表演艺术、行为艺术和装置艺术。这种艺术形式打破了传统画室和美术馆的限制。地景艺术家以大地的实物形态为载体,而不是去描绘地理景观。

英国的地景艺术以理查德·朗的作品为代表,不仅在国内大规模推广,而且比其美国同行要稀奇古怪得多。事实上,虽然你可能会认为地景艺术展览会展出的只是作品记录而不是作品本身,但朗拍摄的作品照片本身就是作品。因为他的“行为”已成为过去式,而照片是唯一的艺术载体。

这个观点似乎很含糊,但是它却为包含了很多黑白照片和相对较少的自然物体的展览会定下了基调。

朗是英国最著名的地景艺术家,他的作品《石环》,一个来自波蒂斯黑德海滩且略带紫色的完美岩石环,静卧在画廊地板上,它代表着地景艺术高雅纯净的一面。而另一方面,《博伊尔家族》却代表了这种艺术形式脏乱、城市化的一面。艺术家马克·博伊尔和琼·希尔斯以及他们的孩子在画廊的墙上随机地再现英国景观。他们创作的《奥拉夫街书房》,一个正方形废砖场地,是为数不多的能在这里接受尘俗的作品之一,而这正是我们在大部分时间里对此景观的感受。

尤其是在早期的作品中,公园是一大特色,如约翰·希利亚德创作的《穿越公园》非常有趣。在该作品中一个长头发的散步者被一个漂亮的女孩以各种方式报以微笑,还被莫名其妙的攻击,这些都在一系列图像中,结果正好是同一张照片的不同部分。

然而一般的英国地景艺术家宁愿远离城镇,喜欢那些传统上被视为美丽的地方,如湖区或威尔特郡丘陵。虽然这种倾向在当时可能并不明显,但是这类作品大都渗透着浪漫的逃避主义色彩,类似华兹华斯这样的作家很容易就能明白。德里克·贾曼的黄色调电影《走向埃夫伯里》用了一组长镜头,其中大多是对威尔特郡的静景拍摄,这部作品使人们想起了从塞缪尔·帕尔默一直到保罗·纳什的英国山水画的传统。

至于哈米什·富尔顿,你会不禁感慨,苏格兰艺术家只是发现了一种能为他们酷爱行走买单的方法。一部典型作品,如《七天》,拍摄于长途跋涉之中,是由一张漂亮的黑白照片构成的,照片的下方标注了所行的天数和步行里程。英国的地景艺术,正如此次展览所表现的一样,得是精心挑选的,但规模要适中,它不是强加于大地的风景,而是一种以景观为导向、瞬间即逝的光线概念艺术。它发源于户外,但结果就像特纳和康斯特布尔的画作一样,与画廊密切相关。